EVENT_Fire Walk With Me

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Olaf Nicolai "Fire Walk With Me"
May 17 – August 25, 2016
Opening: Tuesday, May 17th, 8-11 PM

Popiashvili Gvaberidze Window Project is pleased to present Olaf Nicolai’s installation “Fire Walk With Me” in collaboration with the Sou festival at Café Iveria windows.
Olaf Nicolai’s piece is a site-specific mural with a neon sign that the artist conceived and created for this location. The striped mural imitates the specific technique of Iris printing, Nicolai continues and expands his research into the “politics of forms” and into the significance of the sensual for political statements. Iris printing, rarely used today, was often applied for political flyers in the sixties and seventies, combining the technique’s glamour with the politics of that time. The neon sign displayed on a striped background resembles flags that have passed here.

The neon text harkens back to David Lynch’s 1992 “Twin Peaks. Fire Walk With Me” TV series turned into a film. In Nicolai’s piece the text, Fire Walk With Me, is set in a circle and it can be read in several variations: fire walk with me, walk with my fire, with me firewalk, me fire walk with, etc. Circular neon text leaves it to the viewer which way one will be reading it. The mural is references rainbow without using actual rainbow colors which brings us to the subtitle of Nicolai’s piece: May 17, 2013, the date of the opening of this piece, as well as a date of infamous parade bashing in Tbilisi.

EVENT_Giorgi Okropiridze #sovietcarblue

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Popiashvili Gvaberidze Window Project is pleased to present Vienna based Georgian artist, Giorgi Okropiridze's new series of works #sovietcarblue. The metal sculptures displayed in Cafe Iveria on Rose Revolution Square are assembled from old soviet car details. The artist creates new metal paintings using the original soviet blue car details he found on the Eliava market. The artist searched and acquired Gaz 21 and Lada car details at the market.

EVENT_"Approximate" -21st Century Georgian Artists

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November 21- December 19
Opening November 21 at 1 pm

Nino Sekhniashvili
Solo project

Merab Gugunashvili
Irina Jibuti
Giorgi Khaniashvili
David Kukhalashvili
Nino Kvrivishvili
Giorgi Magradze
Sandro Sulaberidze

"Approximate" is the first show in a series of exhibitions titled "21st Century Georgian Artists" that Popiashvili Gvaberidze Window Project is starting this fall.
These series are focused on presenting Georgian artists, under the age of 40, whose work is unknown to the general public. Exhibitions will serve as an opportunity to view the work and define the visual and conceptual characteristics of these artists.

The title of the show "Approximate" is taken from Nino Sekhniashvili's solo project that is presented in a smaller space with two lightboxes and a video installation. "Approximate" includes the works in different media.

The address of the gallery: Rustaveli 37, third floor

EVENT_Charity Exhibition and GolaDamian's Showroom

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Saturday, July 18th, 2- 7 PM, Popiashvili Gvaberidze Window Project is presenting a one-day charity exhibition to support young Georgian artists Ana Jika and Gvanca Jishkariani.

Ana Jika was accepted at Dusseldorf Art Academy and Gvanca Jishkariani received a residency at C.R.E.T.A. artist residency in Rome, Italy. Profits from the sales will be used to cover Ana and Gvanca’s travel and tuition costs.

It is common in Tbilisi that artists are asked to donate works for different charities. In this case, the young artists need our support!

Popiashvili Gvaberidze Window Project will present Ana Jikia’s and Gvanca Jishkariani’s work in the large exhibition room at Rustaveli 37, while in the small space will be presented the works of young Georgian artists who have donated works to support their peers.

The works in the charity exhibition are priced from 100 GEL to 1000 GEL.

We are looking forward to seeing you on the 18th.


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Popiashvili Gvaberidze Window Project and O, Moda, Moda present customized, one-of-a-kind furniture and casework, as well as unique technical lighting pieces, botanical prints, and artworks.
Address: Rustaveli Avenue 37/ 3rd floor
(Melik Azariants building)


Window Project is a contemporary art gallery based in Tbilisi, Georgia showing works of Georgian and interna
The gallery mainly is focused to promote young Georgian ar
The first project – was launched in 2013 in an alterna In 2019 Window Project opened a new exhibi The gallery is focused on crea
The gallery is for the first See More:



Window Project gallery presents group exhibition "LOW LOWS TO HIGH HIGHS" curated by Domenico de Chirico

Opening reception 26 August 7 pm

Artists: Anano Janashia, Alexey Dubinsky, Andro Semeiko, Giorgi Geladze, Levan Chelidze, Rusudan Khizanishvili, Tato Akhalkatsishvili, Vato Bakradze

“What is below is equal to what is above; and what is above is the same as what is below, to perform the wonders of the one thing”: these words, elaborated and handed down by Ermete Trismegisto, a legendary figure of the pre-classical age revered as a master of wisdom, are undoubtedly the key to the so-called hermetic philosophy. They pass on the message that everywhere in the universe, above and below and vice versa, “in heaven and on earth”, both in the macrocosm and in the microcosm, at every level of manifestation, the same laws reign. This expression allows us to limit our research and observations to the field accessible to us, to then transfer by analogy the experiences made to other areas that are not practicable. This immediate and motivating analogical thinking allows man to empathically learn to understand the whole universe.

The hermetic doctrine thus determines a silent revolution in the science of those times and prepares to adopt an empirical approach inspired by the magic-alchemical tradition. “Low lows to high highs” metaphorically follows this precept and is composed as follows:

Anano Janashia uses painting as her main means of expression, experimenting with both natural and chemical materials, as well as oil, pigments and ink. Her work process often turns into “birth” by increasing the direct physical contact with the materials and the canvas itself, imprinting her DNA, thus channeling her spiritual and corporal essence on the canvas. Her final intent is to eliminate any limit in relation to the canvas, creating space for the absolute display of instinct and sensitivity.

Aleksey Dubinsky focuses his attention on everyday life, an ordinary life made of small and inconspicuous details: flowers, people, cars, houses and everything that turns out to be simple, sincere, very dear and close. It is a sort of subjective cinema that aims to analyze the functioning of fantasy and its effects on the status quo.

Andro Semeiko explores in his practice ways of constructing stories on multiple levels by composing pictorial compositions that narrate or build a theatrical mise-en-scène. His main activity is painting and it is a process that expands in different disciplines and that allows him to constantly explore new approaches and concepts. When he works, Semeiko projects himself into the surrounding context and historical and architectural references often serve as a basis for his projects. He adopts performative, satirical and meta-imaginary methods used in literature and theater.

Giorgi Geladze, always interested in innovation and experiments in an attempt to synthesize different materials in pragmatic and conceptual contexts, focuses mainly on abstractions, considering each work as a manifestation of momentary originality and consciousness as a result of new perceptions. The observation of details and the revelation of the principles of nature are of the utmost importance for a human being who wishes to energetically reestablish the connection with himself, reestablish the dissonant broken links with nature and then merge with it.

Levan Chelidze paints a diverse and eclectic set of portraits, both of people and of animals, still lifes and landscapes of the Georgian region of Racha. In the era in which almost everyone has technological devices equipped with cameras, Chelidze still adopts a traditional approach and requires its subjects to sit and pose with the aim of masterfully capturing their essential characteristics. Chelidze also plays with perceptions, setting their “real” form on imaginary backgrounds. The subjects of his paintings are generally beautiful, fascinating and regal. His portraits may seem unfinished, and sometimes they really are. This gives his paintings a disarming honesty, making them more emotionally free and less formal.

Rusudan Khizanishvili gives birth to a rather emotional painting in which the colors correspond to her brain waves. Invite viewers to immerse themselves in multi-layered scenarios through her imaginary animals intended as symbolic "handles" between cultures, nations, history and identity. The daily routine is unquestionably immortalized in her paintings: human beings with their desires, fantastic animals, death and rebirth, masks, geometric elements, postcards, photographs, thoughts, ups and downs, among others, are the undisputed protagonists of her paintings.

Tato Akhalkatsishvili is confronted with moments of disconcerting unreality, uncertainty, pain, loneliness, nostalgia, genetically accumulated experiences, search for the transcendent, hope for the mysterious future, unconscious emotions of childhood, changes and empathy: these are indelible components of human life that he transforms into visual metaphors. The landscape, a constant element of his works, acts as a stage to reveal life with all its plots and mysteries.

Vato Bakradze creates by experimenting with different types of media such as painting, objects, collages, videos and photography. Through an intuitive and non-premeditated process, his works focus on experimenting with a variety of materials, in the search for themes close to him, in the observation, in the collection and in the fusion of multiform elements.